Hathi
Supriya Roychoudhury's long-form piece for Fifty Two — India's weekly longform publication — traces the full life of Hathi, a three-year-old female elephant gifted by Indian President V.V. Giri to the Kabul Zoo in 1973. The piece follows the elephant through Afghanistan's subsequent turbulence: the Soviet invasion, the Mujahideen civil war, Taliban rule, and Kabul Zoo's gradual reconstruction after 2001. Hathi died in April 1993 when a rocket hit her enclosure during the civil war. She was 23.
Opens on fiftytwo.in · Curated by GlobeRead
GlobeRead's Take
A story about an elephant is also, if written well, a story about diplomacy, postcolonial gift exchange, the texture of 1970s Kabul, the specificity of grief, and what it means for a city to lose its ordinary institutions one by one. Roychoudhury's piece is interesting because it holds all of those registers at once — a technique rare enough to be worth identifying when you see it. It also belongs to a tradition of Indian longform writing that is finally getting the international readership it has long deserved.nnThe first key move is the diplomatic frame. Hathi was not a whim. Nehru's strategy of gifting elephants to Japan, China, Belgium, and others was a deliberate soft-power programme, embedded in explicit MEA files noting that the elephants were 'excellent advertisements for India' likely to 'produce a fund of goodwill, especially in the minds of the young generation'. By 1973 the practice had become so normalised that when Salvador Dalí requested a baby elephant in lieu of payment for designing an Air India ashtray, the wish was granted. Hathi arrived in Kabul as the latest entry in this archive.nnThe second and more heartbreaking move is what Roychoudhury does with the collapse. The civil war's effect on Kabul Zoo is not narrated as backdrop — it is narrated in very specific detail: the date the rocket hit the enclosure (April 1993), the keeper's testimony ('She was so afraid'), the ten days of suffering without veterinary medicine because the shelling had destroyed the zoo's clinics. Steve McCurry visited and found her chained in her hut, standing in her own waste. The precision is the point. The piece refuses to let Kabul's catastrophe be a figure of speech.nnWe picked this because it is exemplary longform journalism and a genuine contribution to Indo-Afghan history from a perspective rarely represented — useful for anyone interested in South Asian history, diplomatic history, or how good writing handles the weight of tragedy. The question Roychoudhury leaves you with is one AzizGul Saqib, the current director of Kabul Zoo, leaves unanswered: 'The request of the people of Kabul is for an elephant from India. The elephant's home is ready.'
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